Project Hieroglyph

Hieroglyph is a space for writers, scientists, artists and engineers to collaborate on creative, ambitious visions of our near future.
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  • Bruce Sterling creates 21st century Petroglifs at CSI

    During Emerge 2013: The Future of Truth this spring, CSI Visionary in Residence Bruce Sterling was hard at work with a diverse team of collaborators at…

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    Bruce Sterling creates 21st century Petroglifs at CSI

    During Emerge 2013: The Future of Truth this spring, CSI Visionary in Residence Bruce Sterling was hard at work with a diverse team of collaborators at Arizona State University testing the limits of our rapid prototyping and fabrication facilities. The result of this whirlwind of creativity is an original exhibit of 21st century Petroglifs carved into native Arizona rock with laser cutters.

    In the digital, virtual age, what are our eternal truths? Watch the short film directed by Jasmina Tesanovic to find out:

  • What is CyberSenses?

    What is CyberSenses?

    Is technology changing what it means to be human? Once the notion of a robotic hand was confined only to science fiction, a miraculous treatment only…

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    What is CyberSenses?

    Cyborg in training

    Image courtesy of CaZaTo Ma, used under CC BY-NC-ND 2.0 license. So…not one of our cyborgs.

    Is technology changing what it means to be human? Once the notion of a robotic hand was confined only to science fiction, a miraculous treatment only available to the likes of Luke Skywalker. However, what was once fiction is fast becoming reality. Everyday, researchers are discovering new ways to replace – and enhance – the human body with robotic, biological and cybernetic augmentations. With a vision to return sight to the blind, sound to the deaf, and movement to the crippled, science progresses quickly towards a brighter tomorrow.

    Few would argue against using such advancements to help people, but questions about the relationship between people and technology quickly arise. Should we be allowed to augment the human body beyond what is “natural”? Where do prosthetics end and enhancements begin? What can we use technology to do? Imagine a world where people use technology to experience the world in entirely new ways: seeing sounds, hearing color and much more.

    As technology becomes rapidly more advanced, our relationships with it evolve rapidly as well. To probe these interactions the ASU Imagination Project (a student organization affiliated with the Center for Science and the Imagination) introduces CyberSenses. This new project will design and engineer new devices to allow people to experience the world in new and innovative ways. Simultaneously, we seek  to develop an understanding of the ethics of technology and what it really means to be “human” in a cybernetic age.

    Over the summer, CyberSenses will be hosting a series of creative workshops to prototype our devices. Also, we will be using online tools and social media to visualize the network of connections between existing technology, cutting-edge research, science fiction, and mainstream culture relating to cybernetics.

    For more information, drop us a line: imagination.asu@gmail.com.

    FREE LUNCH + ORIENTATION

    CyberSenses will be hosting two free lunch orientations to share information about the project with new members! Join us at West Hall, room 160 on ASU’s Tempe campus at 12:30 pm on both Tuesday, May 21 and Thursday, May 25 to learn more.

     

     

  • CSI and Digital Culture at the Intel International Science and Engineering Fair

    CSI and Digital Culture at the Intel International Science and Engineering Fair

    This week the Center for Science and the Imagination hosted a small exhibition at Intel ISEF, a global science and engineering student competition. ASU’s Digital Culture…

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    CSI and Digital Culture at the Intel International Science and Engineering Fair

    This week the Center for Science and the Imagination hosted a small exhibition at Intel ISEF, a global science and engineering student competition. ASU’s Digital Culture program provided the centerpiece and main attraction of our space, Rotary Tumble. Created by Muharrem Yildirim and David Tinapple, Rotary Tumble invites you in to peek under the hood of its interactive media system. It has attracted countless visitors curious to learn how it works from among the “1600 Screaming Geniuses” at ISEF during the event.

    The fair is open to the public today if you’d like to go experience it for yourself. Thanks to David Tinapple for installing the piece here and to Wesley de la Rosa (pictured) and our other Imagination Project students for staffing the event!

  • Science Fiction in China

    The global profile of Chinese science fiction is on the rise: Liu Cixin’s trilogy Three-Body is a surprise hit among Chinese audiences, and this month’s issue of Pathlight, an English-language…

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    Science Fiction in China

    China Science and Technology Museum

    China Science and Technology Museum in Beijing

    The global profile of Chinese science fiction is on the rise: Liu Cixin’s trilogy Three-Body is a surprise hit among Chinese audiences, and this month’s issue of Pathlight, an English-language literary magazine based in Beijing, focuses on science fiction.

    Earlier this month, the Los Angeles Review of Books caught up with young author Fei Dao to discuss the state of Chinese science fiction, its political role and the importance of good stories for enhancing science literacy and, in Fei Dao’s words, preserving “a curiosity about the future.” You can read their excellent interview here: http://goo.gl/J8lhc.

    Dao discusses how adults interested in science fiction in China often face charges of being “immature and unrealistic,” a sentiment that seems to be waning in the US as corporations and institutions (hello from CSI!) embrace science fiction (and design fiction) as a productive way of thinking creatively and critically about the future, and engaging in scenario planning. But this idea about the frivolity of science fiction still lingers – try telling a few people you’re going to ComiCon this year and you’ll still probably hear a few nervous laughs or subtly insulting responses.

    Most surprising fact: Chinese science fiction dates back over 100 years, to 1902, according to Dao.

    Takeaway: This interview with Dao provides a much-needed reminder to all of us that important, compelling science fiction is being written outside of the English-speaking world.

     

    Image courtesy of maltman23, used under CC BY-SA 2.0 license.

     

  • Hungry for Crickets?

    Hungry for Crickets?

    Somewhere in London, a plucky group of engineer-restaurateurs are trying to trick you into eating bugs. The shadowy insect advocates behind Ento have vowed to make…

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    Hungry for Crickets?

    Cricket SaladSomewhere in London, a plucky group of engineer-restaurateurs are trying to trick you into eating bugs. The shadowy insect advocates behind Ento have vowed to make insects a staple of western cuisine by 2020. Their plan? Like Poe’s purloined letter, the trick is hiding the bugs in plain sight.

    Ento’s strategy is inspired by sushi, which in less than 30 years has moved from the hinterlands to the heart of western food culture. The cultural taboo against eating raw fish has given way to a widespread love for the once-exotic food. Sushi’s ascendancy teaches us that presentation is paramount: sushi’s aesthetics seem calculated to help us forget that we’re eating raw fish. Ento focuses on presenting insects to diners in an abstract way to bypass our revulsion.

    The strange thing is that this group of engineers has hit on arguably the most effective way to change a culture’s opinion of a new, previously stigmatized food group. Research into how we develop preferences for food has led to some surprising findings. Current theories in taste psychology suggest that aversions and preferences are largely dictated by our familiarity with various foods and associations with other preferred or disliked foods. In other words, taste is about culture and psychology, not biology.

    Over at i09, journalist Joseph Bennington-Castro argues that “we don’t just eat food because we like them, we like them because we eat them.” The presentation and even the color of a food can have a huge impact on our experience with it. I believe Ento will be successful in advocating for insects-as-cuisine because of their plan to build associations with already-popular exotic foods and to break cultural taboos by repeatedly exposing consumers to tasty insect-based dishes.

    Although Ento might seem like a business based on artistry and aesthetics, and even an avant-garde intervention into conventional cuisine, they should also be seen as a pioneering effort to engineer a sustainable food supply. Our current dependence on livestock animals as sources of protein is unsustainable and inefficient in terms of the resources and land required to feed our growing population. Insects can be farmed in vastly smaller enclosures, but are also just as comfortable as cows in open pasture. They are also a great source of protein. Overall, they are a great solution to the problem of creating cheaper, greener and healthier diets.

    Even if insects don’t end up as a major food source in the future, Ento’s method of creating a culture to encourage appreciation of new foods seems effective. Perhaps other sustainable approaches to food can use Ento as an inspiration and a test case. Advertising food’s sustainability quotient is not enough to change people’s eating habits, so a bit of trickery, misdirection and association with other enjoyable foods are integral parts of any food revolution.

    Interested in learning more about Ento? Connect with them on Facebook at https://www.facebook.com/entofood

    Photo courtesy of istolethetv under CC BY 2.0 license.

  • Summer Research Opportunities at CSI

    Summer Research Opportunities at CSI

    CSI is looking for two student researchers to join our team for the summer, so check out the project descriptions below and bask in the warm…

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    Summer Research Opportunities at CSI

    Rubik's CubeCSI is looking for two student researchers to join our team for the summer, so check out the project descriptions below and bask in the warm glow of intellectual curiosity!

    Either opportunity can be completed for Independent Study credit, or not-for-credit, if you’d rather not pay for credits and would prefer to gain some valuable experience and some weird but also weirdly-impressive lines on your resume or CV!

    To apply, email  (1) your resume/CV and (2) a brief (300-500) word statement of your background and experience with the subject and why you are interested in the position to Joey Eschrich at jpe AT asu.edu.

    Digital Humanities and Computation, Summer 2013
    Eligible for Independent Study credit or can be completed not-for-credit, to gain experience

    We are seeking a student researcher to assist with a variety of projects in the Digital Humanities, an area of research that explores the intersection between computing, data analysis, social sciences, digital publishing and the humanities.

    Desired Qualifications: Computer science or a related major with experience in:

    • Scripting for gathering data from the web (Perl preferred)
    • Experience or interest in basic database queries and management, MySQL preferred
    • Basic familiarity with Unix/Linux command line operations
    • Interest in data visualization a plus
    • Willingness to experiment and learn new techniques

    Science Fiction and Thoughtful Optimism, Summer 2013
    Eligible for Independent Study credit or can be completed not-for-credit, to gain experience

    We are seeking a student researcher to work on a project surveying the history of English-language science fiction literature and looking for strains of techno-optimism, thoughtful optimism and utopian thinking.

    Contemporary science fiction storytelling is dominated by gloomy, dystopian narratives. This project seeks an alternative history of the genre that focuses on more hopeful and inspiring visions of the future that are still thoughtful, critical and complex.

    Desired Qualifications: Student in any discipline with a passion for literature and the ability to read critically, write concisely and synthesize information in a clear, comprehensible way. This project will involve reading a large number of short stories and novels, and could involve tangential research on video games, comic books, film and other media.

     

    Image courtesy of Toni Blay, used under CC BY-NC-ND 2.0 license. Thanks Toni!

  • Event Recap: Former Intel CEO Craig R. Barrett on the Future of Moore’s Law

    By Sarah Rothbard This post originally appeared on Zócalo Public Square. Zócalo Public Square is a partnership of the New America Foundation and Arizona State University;…

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    Event Recap: Former Intel CEO Craig R. Barrett on the Future of Moore’s Law

    By Sarah Rothbard

    This post originally appeared on Zócalo Public Square. Zócalo Public Square is a partnership of the New America Foundation and Arizona State University; Future Tense is a partenrship of New America, ASU, and Slate.

    When Michael M. Crow, the president of Arizona State University, introduced Craig R. Barrett, the former CEO and president of Intel, he called Barrett “a singularly important actor in one of the most profound technologies in human history.”

    But when Barrett entered Stanford University in 1957 as a student of metallurgical engineering (not even knowing how to spell the word metallurgical), the changes of the next half-century with which he would be intimately involved were impossible to imagine. The world was only on the cusp of technologies like the modern transistor and integrated circuits that made our current digital age possible; advanced computing hadn’t yet been realized.

    In a wide-ranging conversation with Crow, in front of a full house—with additional audience members watching in a nearby overflow room—at the Phoenix Art Museum, Barrett discussed the past 50 years of technological change and offered some broad thoughts on his hopes for the future.

    In 1965, said Crow, Intel co-founder Gordon Moore (Barrett’s old boss), observed …read more
    Source: Future Tense Articles