Everything Change Volume 3

Amanda Baldeneaux is a writer living in Denver, Colorado with her husband and daughters. She attended the University of Arkansas for creative writing in poetry and is a contributing editor at Fiction Unbound. She is a Lighthouse Writers Workshop and Tin House workshop alum and was the recipient of The Missouri Review Jeffrey E. Smith Editors’ Prize for fiction in 2018. Her work has appeared or is forthcoming in The Missouri Review, X-R-A-Y Literary Magazine, the Rappahannock Review, Sweet Tree Review, and elsewhere. She can be found online at amandabaldeneaux.com.

J.R. Burgmann, an emerging writer and doctoral candidate, is coauthor of Science Fiction and Climate Change: A Sociological Approach (Liverpool University Press, 2020) and a Research Associate at the Monash Climate Change Communication Research Hub, Australia. As part of his doctoral research, he has completed writing a climate-change novel entitled Children of Tomorrow. His fiction and arts criticism have been published across a range of publications, and he is currently a regular contributor to Australian Book Review.

Kathryn E. Hill’s fiction has appeared in several venues, and has won and been nominated for several prizes. She holds an MFA from Arizona State University.

Mason Carr is a born-and-raised Tucsonan who loves discovering new things about his beloved hometown. He is currently pursuing a degree in political science at Pima Community College, with a dream career in law and criminal-justice reform. As the current president of the writing club at his campus, he works to grow interest in and support for creative writing in the community. Mason was first published in the award-winning collegiate journal Sandscript and looks forward to advancing his deeper dream of becoming a professional author.

Scott Dorsch is an emerging writer from Michigan and an MFA fiction candidate at the University of Idaho. His work has appeared in The Midwestern Gothic, and he recently served as the fiction editor for Fugue. He is the recipient of a 2019 Writing in the Wild Fellowship through the University of Idaho, and a 2021 Good Hart Artist Residency. Beyond writing, Dorsch is a gardener, musician, and certified wildlife tracker with a rock-climbing obsession. He is currently at work on his first novel and story collection. Follow his work or get in touch at scottdorsch.com.

Sigrid Marianne Gayangos was born and raised in Zamboanga City, Philippines. Her works have appeared in Fantasy: Fiction for Young Adults, Likhaan: The Journal of Contemporary Philippine Literature, Cha: An Asian Literary Journal, Ombak Magazine, the Decoded Pride Month anthology, Anomaly, and The Best Small Fictions 2019, among other publications. Currently based in Dumaguete City, she divides her time between training a bunch of mathletes and finishing her first collection of short stories.

Jules Hogan is a writer from the Blue Ridge Mountains and an MFA candidate in fiction at ASU. Their work explores the complicated relationship between environmental and social justice in the American South. Stories can be found in the Yalobusha Review, the Sonora Review, Appalachian Heritage, and other such wonderful journals. Jules is fiction editor for Hayden’s Ferry Review.

Anya Ow is the author of The Firebird’s Tale and Cradle and Grave, and is an Aurealis Awards finalist. Her short stories have appeared in publications such as Daily Science Fiction, Uncanny, The Year’s Best Dark Fantasy & Horror, 2019 Edition anthology, and more. Born in Singapore, Anya has a Bachelor of Laws from Melbourne University and a Bachelor of Applied Design from Billy Blue College of Design. She lives in Melbourne with her two cats, working as a graphic designer, illustrator, and chief studio dog briber for a creative agency. She can be found at www.anyasy.com or on twitter @anyasy.

Natasha Seymour is a writer from Melbourne, Australia. She is currently working as a publicist and fiction coordinator for Overland literary journal and completing her master’s degree in creative writing. Her writing has been published in The Guardian and Anthroprospective journal. She has a short story appearing in the upcoming Intrepid Times anthology, Fearless Footsteps. She likes to write about everything, but has a special interest in stories and essays about travel.

Illustrator

João Queiroz is a Brazilian digital artist born in the Amazonian state of Rondônia. His work focuses on science fiction, especially in the solarpunk and cyberpunk genres. In 2019, he created a project named Amazofuturism, an ongoing series of illustrations that mixes solarpunk and cyberpunk aesthetics with Brazilian Indigenous peoples’ cultures, making its own brand of Indigenous Futurism. He hopes to continue to help build a greener future through art. You can find him on Instagram and Twitter @q1r0z.

Editors

Angie Dell is the associate director of the Virginia G. Piper Center for Creative Writing at Arizona State University, and a writer, editor, letterpress printer, and book artist. Their creative work challenges objectification and disassociation, both through an ecological lens and through the human body, and their writing, books, and prints have been featured in journals, collections, libraries, and galleries across the United States and internationally. See more of their work at www.shuteyepress.com.

Joey Eschrich is the editor and program manager at the Center for Science and the Imagination at Arizona State University, and assistant director for Future Tense, a partnership of ASU, Slate magazine, and New America on emerging technology, policy, and society. He has coedited several books of science fiction and nonfiction, including Future Tense Fiction (2019), published by Unnamed Press, A Year Without a Winter (2019), published by Columbia University Press, and Visions, Ventures, Escape Velocities (2017), which was supported by a grant from NASA. He edits Imaginary Papers, a quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.