Illustration of a circular planet, with visual motifs reminiscent of circuitry, and an eye, inside the circle. From the edge of the circle grow 9 trees of different shapes and colors. The trunk of each tree resembles a real or fictional musical instrument.

Orchestra as Network

Orchestra as Network You are reading the HTML version of Sound Systems: The Future of the Orchestra. Visit the book’s home page to download it for free in other formats, including

Illustration of a violin superimposed over a crowd of people. Around the edges of the violin, buildings sprout, like a skyline. From the crowd in the background, rainbow strands of light emanate, and form a heart that rings the violin.

Orchestra as Game

Orchestra as Game You are reading the HTML version of Sound Systems: The Future of the Orchestra. Visit the book’s home page to download it for free in other formats, including

An illustration combining sheet music with a layered set of horizontally layered natural scenes: a sky with clouds, trees, a ground layer with bugs and amphibians, and a water layer with fish.

Orchestra for Public Good

Orchestra for Public Good You are reading the HTML version of Sound Systems: The Future of the Orchestra. Visit the book’s home page to download it for free in other formats,

orange background with small circles lined up on a string, with the text "Sound Systems The Future of the Orchestra"

Introduction: New Stories, New Games

You are reading the HTML version of Sound Systems: The Future of the Orchestra. Visit the book’s home page to download it for free in other formats, including .epub and .mobi.

Imaginary Papers issue 24 banner. The words "Imaginary Papers" are cut out of white, layered paper, so they appear in black shapes. The numeral 24 is affixed to the image via a light blue sticky note, with black text.

Imaginary Papers: Issue 24

Sameem Siddiqui, Sarah M. Ruiz & Joey Eschrich

A multicolored piece of woven fiber art, with multiple textures to look like a technicolor imaginary landscape, with the ASU logo and the text - Center for Science and the Imagination 2024-25 Annual Report.

2024/25 Annual Report

Center for Science and the Imagination Center for Science and the Imagination Annual Report 2024/25 PDF   Download Annual Report PDF Center for Science and the Imagination Annual Report EPUB   Download

Cover of a book with watercolor painted killer whales befriending a person with long hair in a small boat at night

From Science Fiction to Poetry

Brenda Cooper has spent her life imagining what the future holds—not just in fiction, but also in fact. As an award-winning author and professional futurist and technologist, she bridges the worlds of data-driven forecasting and storytelling with a focus on where humanity is heading. It’s this shared commitment to the future that connects her work in public futures with the mission of the Center for Science and Imagination. 

Imaginary Papers issue 23 banner. The words "Imaginary Papers" are cut out of white, layered paper, so they appear in shades of blue and green. The numeral 23 is affixed to the image via a light green sticky note, with black text.

Imaginary Papers: Issue 23

Yen Ooi, Nestor Walters & Joey Eschrich

Imaginary Papers banner, with white paper cut out and folded to form letters with the brightly colored sheets below. In the bottom right corner, the number 22 is printed in black on a pink square of paper.

Imaginary Papers: Issue 22

Anna Maria Grzybowska, Fitz Madrid & Ari Brin

Red white and blue poster of a futuristic city with a child on a podium and the title "How Kids got the vote"

Smithsonian Futures

Envisioning the future of Smithsonian museums and research units through collaborative imagination sessions with curators and staff.

Us In Flux

A series of short stories and virtual gatherings that explore how we might reimagine and reorganize our communities in the face of transformative change.

Images from the EVOKE pilot graphic novel

Evoke

Sponsored by the World Bank, this project brings together authors, artists, and experts to create stories, art, and instructional materials that inspire young people to solve global grand challenges.

History of the Future

Examining gripping cinematic visions of the future emanating from different moments in recent history.

orange background with small circles lined up on a string, with the text "Sound Systems The Future of the Orchestra"

Sound Systems

American orchestras face challenges relative to diversity, equity, relevance, sustainability. How do the embodied and cultural roles of performers and artists – enactors of aesthetic memories and futures – need

Screenshot from the video game 80 Days, showing steampunk machines superimposed on an image of the globe, with a headshot of speaker Deji Bryce Olukotun

Skill Tree

Examining and celebrating how video games imagine possible futures, build thought-provoking worlds, and engage people as active participants in interpreting stories.

Paper cutout of the words "Imaginary Papers" held in front of a flowering bush.

Imaginary Papers

Imaginary Papers is a quarterly newsletter. Each issue features brief pieces of writing from a diverse array of contributors, from scholars and journalists to cultural critics, and more.   Subscribe

Imagination Desk Podcast

In this occasional audio series, we chat with artists, scholars, and technologists about what inspires them and how they define and use imagination in their work.

A person stands in front of an upright display board with different digital displays, in a futuristic office place.

Veterans Imagination Project

The Veterans Imagination Project (VIP) builds on traditional and proven transition services like career counseling and art therapy and infuses them with future-oriented insights to create a holistic intervention for

Liz Colton from Yuma Arizona holds her certificate in from ASAP in front of the ASAP banner at the end of year conference.

Arizona STEM Acceleration Project

Reimagining the education ecosystem in Arizona by supporting teachers and professional development organizations around the state.