Project Hieroglyph Story: “Covenant”
A short story from Hieroglyph, a new science fiction anthology.
Slate – Future Tense
An Aerialist, Two Clowns, and a Robot Walk Into a Carnival …
In his 1984 film The Terminator and its sequels, James Cameron imagines a dystopic future in which armies of intelligent robots move with startling suddenness from positions of servility to utter and violent dominance, destroying civilization and driving humankind to the brink of extinction.
This, of course, is pure science fiction. There’s little reason to believe things will unfold that way. First, they would take all our jobs and wreck our economy.
This is the nightmare narrative of our future with robots and artificial intelligence. The utopian version of this tale—one accepted by many powerful people in industry and government—involves a …read more
Confess Your Digital Sins
A voice cries out in the desert:
“Know thyself, not thy selfies!”
“Digital media will not save you!”
“The zero is not whole and the one is not The One!”
Technically, we’re not in the desert—we’re in a dusty parking lot in downtown Phoenix. And the voice is not coming from the Prophet Isaiah, but from professor Ron Broglio, whom I’ve ordained as a Minister of the Digital Tabernacle. As people wander into the massive circus tent at Arizona State University’s Emerge: Carnival of the Future, they are greeted by a pair of shifty evangelists preaching the analog Word. (Disclosure: …read more
How to Make Music With Drones
The good thing about performing music with drones is that they always show up for rehearsal on time. The bad thing is that they might suddenly drop out of the air and onto your head.
I learned all this while putting together a piece called “Drone Confidential” for Arizona State University’s Emerge, a “Carnival of the Future” that was held in Phoenix recently. Emerge is an annual circus of cool new technologies in performance, dedicated to showing how artists and machines can work together to create something awesome. …read more
What if Computers Know You Better Than You Know Yourself?
I recently read about the launches of both an “ultrasecure” mobile phone for protecting privacy and a clip-on camera that takes a picture of everything you do at 30-second intervals. Our cultural relationship with data is more complicated and contradictory than it has ever been, and our debates on the subject almost always center on privacy. But privacy, the notion that only you should be able to control information about yourself, cloaks a deeper tension between information and meaning, between databases and insights.