Our stuff is meaningful; it’s symbolically and semiotically imbued with signals of memory, utility, and identity. These meanings are the fabric of culture – shared ideas and values that we acquire as members of society. They exist as thoughts we carry in our skulls, thoughts triggered […]
The wiry old man stood in the Martian cave, sipping his coffee. Yuri’s rock-embedded display stretched across the cavern. The print from his mug reflected off the panel’s glass, “NASA MVC: Class of 2049.” He moved closer to it and touched the incoming spaceship’s blinking icon.
A new project by experimental philosopher Jonathon Keats at Arizona State University involves creating simple, incredibly durable pinhole cameras that will slowly create a single image over the course of a century or a millennium.
A new cooperative venture at Arizona State University aims to make the university a key academic hub for the emerging discipline of biomimicry. Since Janine Benyus first observed and named the field in her 1997 book, Biomimicry: Innovation Inspired by Nature, designers, engineers, businesses and other innovators […]
Climate fiction, or “cli fi,” can be a dreary genre. Storytellers like to make a grim business of climate change, populating their narratives with a humorless onslaught of death, destruction, drowned monuments, and starving children. Margaret Atwood is the conspicuous exception, somehow managing to tackle the subject, including these familiar elements, with deadpan wit and an irreverent playfulness, making it both more interesting and believable. The flood is coming, her MaddAddam trilogy promises, but there is hope.
Want to change the future? Start with a great story. EVOKE is a massive multi-player online educational game that uses narrative to help players develop 21st century skills and drive collaborative innovation. EVOKE “agents” engage online and in the real world in social networks to complete missions that will change their community, their country and their future. EVOKE is a collaboration between the World Bank and Arizona State University’s Center for Science and the Imagination.
We are sentimental creatures. And by this I mean to say that we have the capacity to balance our emotions with our mental facility. From Wiktionary, we learn this about the word sentimental and its origins: “A vogue word mid-18c. with wide application, commonly a thought colored by or proceeding from emotion” (1762). The word sentimental suggests a balance: the human balance.
An interview with John Metz, an expert on harpsichord, piano, and Early Music, and an emeritus professor of music at Arizona State University. John is the composer of Anthony’s Cosmic Adventures, a choral piece based on The Space Child’s Mother Goose, a collection of whimsical space poems written in the 1950s by Frederick Winsor.
Dawn Gilpin, associate professor of public relations and social media at ASU’s Walter Cronkite School of Journalism and Mass Communication, answers CSI’s 5 Burning Questions.
Event Date: October 8, 2014
Location: Walter Cronkite School of Journalism and Mass Communication, ASU
Episode: “Intervention” (Season 5)
Speakers: Bridget Kromhout, tech operations engineer; Astrid Atkinson, senior engineering manager, Google; Dawn Gilpin, associate professor of public relations and social media, ASU; Nina Miller, design strategist, Center for Science and the Imagination
Event Date: September 30, 2014
Location: Scottsdale Center for the Performing Arts
Episode: “Cane and Able” (Season 3)
Speakers: Dr. Cathy Seiler, scientific liaison at ASU’s Biodesign Institute; Dr. Kenneth S. Ramos, associate vice president of precision health services and professor of medicine at the Arizona Health Sciences Center of the University of Arizona; Joey Eschrich, editor and program manager, Center for Science and the Imagination
Sponsored by ASU’s Center for Science and the Imagination and the Herberger Institute for Design and the Arts Call for papers: submissions due by January 15, 2015 to email@example.com – see below for submission guidelines Following a successful first conference in the UK, Stage the Future […]
This piece is written by Luu Nguyen, and was originally published at ASU News. One of CSI’s major upcoming projects is the Frankenstein Bicentennial Project, which will organize a broad range of activities to celebrate the bicentennial of the writing and publication of Mary Shelley’s Frankenstein from 2016-2018. Dubbing […]
Launch event for Project Hieroglyph’s first anthology, Hieroglyph: Stories and Visions for a Better Future (HarperCollins, 2014) at the Crescent Ballroom in Phoenix, AZ on October 22, 2014.
CSI Imaginary College member G. Pascal Zachary wrote an article in the Spring 2014 issue of The New Atlantis: A Journal of Technology and Society remembering the late, great Thomas P. Hughes, a historian and sociologist of technology: Whenever I receive inquiries about the effects of technological change […]
On September 10, 2014, Project Hieroglyph visited Google in Mountain View, California for an event as part of their Talks at Google series.
On October 26, Hieroglyph contributors Cory Doctorow and Neal Stephenson and CSI director Ed Finn appeared at Town Hall Seattle, in an event titled “Reigniting Society’s Ambition with Science Fiction.”
What happened At this Science Fiction TV Dinner event on September 30 at the Scottsdale Center for the Performing Arts, we screened “Cane and Able,” of the hit medical drama House, M.D. In the episode, House’s 7 year old patient was experiencing vivid hallucinations of alien […]
Slate magazine’s Future Tense channel is running a series of stories inspired by and excerpted from Hieroglyph: Stories and Visions for a Better Future, exploring about the connections between science fiction storytelling, scientific discovery, public policy, and real-world innovation. Check back to this post for updates as more pieces are published! Elizabeth […]